Artist Bio

Aline Smithson is an interdisciplinary artist, filmmaker, educator, and editor based in Los Angeles, California. Her practice examines the archetypal foundations of the creative impulse and she uses humor and pathos to explore the performative potential of photography. She received a BA in art from the University of California at Santa Barbara and was accepted into the College of Creative Studies, studying under artists such as William Wegman, Allen Ruppersburg, and Charles Garabian. After a decade-long career as a New York Fashion Editor, Smithson returned to Los Angeles and to her own artistic practice.

She has exhibited widely including over 50 solo shows at institutions such as the Griffin Museum of Photography, the Santa Barbara Museum of Art, the Fort Collins Museum of Contemporary Art, the San Jose Art Museum, the Shanghai, Lishui, and Pingyqo Festivals in China, The Rayko Photo Center in San Francisco, the Center of Fine Art Photography in Colorado, the Tagomago Gallery in Barcelona and Paris, and the Obscura Gallery in Santa Fe. In addition, her work is held in a number of public collections and her photographs have been featured in publications including The New York Times, The New Yorker, PDN, Communication Arts, Eyemazing, Real Simple, Los Angeles Magazine, Musee Magazine, Shots, Pozytyw, and Silvershotz magazines.

In 2007, Smithson founded LENSCRATCH, a photography journal that celebrates a different contemporary photographer each day. She has been the Gallery Editor for Light Leaks Magazine, a contributing writer for Diffusion, Don’t Take Pictures, Lucida, and F Stop Magazines, has written book reviews for photo-eye, and has provided the forewords for artist’s books by Tom Chambers, Meg Griffiths, Flash Forward 12, Robert Rutoed, Nancy Baron, among others. Smithson has curated and jurored exhibitions for a number of galleries, organizations, and on-line magazines, including Review Santa Fe, Critical Mass, Flash Forward, and the Griffin Museum. In addition, she is a reviewer and educator at many photo festivals across the United States. Smithson has been teaching at the Los Angeles Center of Photography since 2001and also teaches at a variety of institutions such as ICP, SFW, MMW, and others.

In 2012, Smithson received the Rising Star Award through the Griffin Museum of Photography for her contributions to the photographic community. In 2014 and 2019, Smithson’s work was selected for Critical Mass Top 50 and she received the Excellence in Teaching Award from CENTER.

In 2015, the Magenta Foundation published her retrospective monograph, Self & Others: Portrait as Autobiography. In 2016, the Smithsonian Air and Space Museum commissioned Smithson to create a series of portraits for the upcoming Faces of Our Planet Exhibition. In 2018 and 2019, Smithson was a finalist in the Taylor Wessing Photographic Portrait Prize and exhibited at the National Portrait Gallery in London. She was commissioned to create the book, LOST: Los Angeles for Kris Graves Projects which now sold out. Peanut Press released her monograph, Fugue State, in Fall 2021. Her books are in the collections of the Museum of Modern Art, the Getty Museum, the Los Angeles Contemporary Art Museum, the National Portrait Gallery, London, the Metropolitan Museum, the Guggenheim, among others. Smithson was honored as a 2022 Hasselblad Heroine. With the exception of her cell phone, she only shoots film.

Artist Statement

As an artist, I try to look for or create moments that are at once familiar, yet unexpected. The odd juxtapositions that we find in life are worth exploring, whether it is with humor, compassion, or by simply taking the time to see them. I have been greatly influenced by the Japanese concept of celebrating a singular object. I tend to isolate subject matter and look for complexity in simple images, providing an opportunity for telling a story in which all is not what it appears to be. The poignancy of childhood, aging, relationships, family, and moments of introspection or contemplation continue to draw my interest. I want to create pictures that evoke a universal memory.

I work with four cameras: a twin lens Rolleiflex, a Hasselblad, the Diana plastic camera, and the Holga plastic camera. The first two provide clarity and formality; the latter two provide spontaneity and simplicity. All are characteristics I would apply to myself.